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| REFERENCES 1. Arns, I. Social Technologies Deconstruction, subversion, and the utopia of democratic communication, 2004. http://www.medienkunstnetz.de/themes/overview_of_media_art /society/1/ 2. Frieling, R. Form Follows Format - Tensions, Museums, Media Technology, and Media Art. 3. LaFarge, A. An Introduction to the Convergence of Computers, Games, and Art. http://beallcenter.uci.edu/shift/essays/lafarge.html 4. Nideffer, R. F. Mediating the process of academic exhibitionism. http://beallcenter.uci.edu/shift/essays/robertn.html 5. Ohrt, R. Situationistische Internationale. DuMonts Begriffslexikon zur zeitgenössischen Kunst, 273. 6. Praxmarer, R. Game Over Mr. President: Artists discover computer games as a protest medium. RebelArt Magazine #1, 78-87. 7. Praxmarer, R. (t)Error – A mixed reality persiflage on world politics. http://www.servus.at/cubic/(t)error.htm 8. Praxmarer, R. Orgasmatron – Interactive Glass Piano. http://www.servus.at/cubic/Orgasmatron.htm 9. Praxmarer, R. StencilU http://www.servus.at/cubic/StencilU.htm 10. Praxmarer, R., Bidner R. Fun Anyone ? – A public space intervention with (t)Error. http://www.servus.at/cubic/fun_anyone.htm 11. Praxmarer, R., Bidner R. City Obscura http://www.servus.at/cubic/city_obscura.htm 12. Reich, W. Arnold Schoenberg: A Critical Biography. Praeger, New York, 1971 13. Schmiede Media Conference 04 http://www.c-a.at Statistics about gaming. http://www.theesa.com/pressroom.html |
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